Note 44 — INTRODUCTION.

The story of Prince Sudhana (No. 5) has several points in common with Western folk-tales. One of these is the capture by the hunter Phalaka of the celestial maiden, the Kinnarī Manoharā, who becomes Sudhana’s bride. This is effected by means of a “fast-binding chain” which the hunter throws around her when she is bathing in a lake. Her companions fly away heavenward, leaving her a captive on earth. This incident will at once remind the reader of the captures of “swan-maidens” and other supernatural nymphs, which so frequently occur in popular romance. It is usually the swan’s feather-dress or bird-husk on which the liberty of the captured maiden depends. While she is deprived of it she must live on earth as a mortal’s wife. But if she can recover it, she becomes a bird once more, and soars heavenward. Manoharā is captured by means of a magic chain. But her power of flying through the air depends upon her possession of a jewel. So long as she is without that, she remains a slave; when she recovers it, she becomes free and flies aloft.44 Sudhana’s visit to the palace of his supernatural wife’s father, and the task which is set him of recognising her amid her ladies, bear a strong resemblance to the adventures which befall the heroes of many tales current in Europe. A mortal youth often obtains, and then for a time loses, a supernatural wife, generally represented as the daughter of a malignant demon. He makes his way, like Sudhana, to the demon’s abode. There tasks are set him, which he accomplishes by means of his wife’s help. One of these is that he shall recognise her when surrounded by her numerous sisters, each of whom is exactly like her in appearance and dress. He calls upon her to step forth from among them; she does so, and the recognition takes place.