Note 30 — INTRODUCTION.

To European folk-tales the longer legends of the Kahgyur bear but little resemblance, though many of the fables about animals, and other short stories towards the end of the present volume, have their counterparts in the West. Here and there, however, even in the long narratives of the legendary class, certain features may be recognised as being common to both Europe and Asia. The moral of King Māndhātar’s story (No. 1), for instance, seems to be identical, different as is its machinery, with that of a story which is current in many Western lands. That monarch, after conquering the whole earth, ascends into the heavenly home of the thirty-three gods, and is allowed to share the throne of their chief, Śakra or Indra. But at last he wishes for too much. “He came to the conclusion that he must expel the king of the gods, Śakra, from his throne, and take into his own hands the government of both gods and men.” As soon as he had conceived this idea, “the great King Māndhātar came to the end of his good fortune,” and soon afterwards he died. The most familiar form of the European story, which inculcates a similar moral teaching, is the German tale of “The Fisherman and his Wife” (the 19th of Grimm’s Collection). In it, a grateful fish for a long time accedes to every desire expressed by the fisherman. He and his wife become first rich, then noble, and eventually royal. But the fisherman’s wife is not satisfied with being a queen. She wishes to be the Pope, and the fish fulfils her desire. Even then she is discontented, and at last she demands to be made God. When the fish is told this by her husband, it replies, “Go back, and you will find her in her hovel.” The fisherman’s good fortune has come to an end. He and his wife are poor folks once more. In a Hesse variant the husband’s final wish is, “Let me be God, and my wife the Mother of God.”30