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Tibetan Tales, Derived from Indian Sources

Note 3 — XIII. THE OVER-REACHED ACTOR.1

Anton Schiefner translation

Now when men’s talk had made the Six Bhikshus aware that the actor had taken them off they resolved to take counsel with the Bhikshuṇīs and make things unpleasant for him. So they betook themselves to the company of Twelve and asked them if they still retained any recollection of the play composed by them on the life of the Bodisat named Kuru. When they had gone out together into the park, and it was found that they had not forgotten even the least part of it, they supplied themselves with ornaments and raiment from the palace, and they set up a booth close to that of the actor. Then Upananda covered up his head with a cloth and beat the drum. A great crowd assembled, and in it was the actor, who thought that he was witnessing a divine drama, and was of opinion that it was performed by Gods, Nāgas, Yakshas, Gandharvas, Kinnaras, or Mahoragas.3 So great was his astonishment.

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