Note 65 — PART II THE PROBLEM FACED

This volume contains portraits of ninety-seven contributors to it, whom I have roughly classified according to their features and apparent complexion. There are only three whom one can put down as probably pure negroes. Of the remainder, twenty-three seem to be predominantly negroes, but clearly not pure-bred; thirty-four are typical mulattoes (that is to say, appear to be half black, half white); in thirty-three the features are almost entirely Caucasian, but the complexion is unmistakably swarthy, while in five there is scarcely any recognizable trace of negro blood. The decoration round the portraits in this book is curious and instructive. It consists of a scroll-work encircling two pairs of contrasted medallions. On the one side we have a black slave being flogged, on the other a very light mulatto writing in a study, surrounded with books; on the one side a negro kneeling with broken fetters on his wrists, on the other a frock-coated mulatto on a platform, with an ice-water pitcher on his table, lecturing with gesticulation to a crowded audience.