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The youth of Madame de Longueville, or new revelations of court and convent in the seventeenth century

Note 190 — Chapter II · 1635 to 1642.

Frederick W. (Frederick William) Ricord translation

Library of the Arsenal, manuscripts of Conrart, in-4ᵒ, vol. xi., p. 855.—Devices were then in fashion; at a later period Mademoiselle placed portraits in them, and Madame Sablé maxims and thoughts. These devices had nothing official in them, and in that they resembled what are now called fancy seals, which must not be confounded with family arms. Individuals made devices for themselves and others; they had them printed, and they are regarded as true works of art. There is in the Arsenal, Belles-Lettres Françaises, No. 348, a collection, in-folio, upon vellum, of great beauty. It had been made for the Duchess de La Trémouille, whose portrait is found among those of Mademoiselle. Each device occupies an entire leaf. We find here those of Anne of Austria, of Madame the Princess, of Mademoiselle de Montpensier, and of many other illustrious females of the seventeenth century. We limit ourselves to giving the device of Madame de Longueville. It is very different from that of Mademoiselle de Bourbon. It is a bunch of lilies upon a nest of serpents, with these words: Meo moriuntur odore.

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