Note 258 — THE AGE OF BRONZE.

[According to Strabo (Rerum Geog., xvii. ed. 1807, ii. 1127), Ptolemæus Soter brought Alexander's body back from Babylon, and buried it in Alexandria, in the spot afterwards known as the Soma. There it lay, in Strabo's time, not in its original body-mask of golden chase-work, which Ptolemæus Cocces had stolen, but in a casket of glass. Great men "turned to pilgrims" to visit Alexander's grave. Augustus crowned the still life-like body with a golden laurel-wreath, and scattered flowers over the tomb: Caligula stole the breastplate, and wore it during his pantomimic triumphs; Septimius Severus buried in the sarcophagus the writings of the priests, and a clue to the hieroglyphics. Finally, the sarcophagus and its sacred remains disappear, and Alexander himself passes into the land of fable and romance. In 1801 a sarcophagus came into the possession of the English Army, and was presented by George III. to the British Museum. Hieroglyphics were as yet undeciphered, and, in 1805, the traveller Edward Daniel Clarke published a quarto monograph (The Tomb of Alexander, etc.), in which he proves, to his own satisfaction, that "this surprising sarcophagus in one entire block of green Egyptian breccia," had once contained the ashes of Alexander the Great. Byron knew Clarke, and, no doubt, respected his authority (see letter December 15, 1813, Letters, 1898, ii. 308); and, hence, the description of "Alexander's urn" as "a show." The sarcophagus which has, since 1844, been assigned to its rightful occupant, Nectanebus II. (Nekht-neb-f), is a conspicuous object in the Egyptian Gallery of the British Museum. It is a curious coincidence that in the Ethiopic version of the Pseudo-Callisthenes, Alexander is said to have been the son of Nectanebus II., who threw a spell over Olympias, the wife of Philip of Macedon, and won her love by the exercise of nefarious magic. (See the Life and Exploits of Alexander the Great, by E. A. Wallis Budge, Litt.D., F.S.A., Keeper of the Egyptian and Assyrian Antiquities in the British Museum, 1896, i, ix.)]