Note 87 — PREFACE

{207}["Mysteries," or Mystery Plays, were prior to and distinct from "Moralities." Byron seems to have had some acquaintance with the archæology of the drama, but it is not easy to divine the source or extent of his knowledge. He may have received and read the Roxburghe reprint of the Chester Plays, published in 1818; but it is most probable that he had read the pages devoted to mystery plays in Warton's History of Poetry, or that he had met with a version of the Ludus Coventriæ (reprinted by J. O. Halliwell Phillipps, in 1841), printed in Stevens's continuation of Dugdale's Monasticon, 1722, i. 139-153. There is a sixteenth-century edition of Le Mistère du Viel Testament, which was reprinted by the Baron James de Rothschild, in 1878 (see for "De la Mort d'Abel et de la Malediction Cayn," pp. 103-113); but it is improbable that it had come under Byron's notice. For a quotation from an Italian Mystery Play, vide post, p. 264; and for Spanish "Mystery Plays," see Teatro Completo de Juan del Encina, "Proemio," Madrid, 1893, and History of Spanish Literature, by George Ticknor, 1888, i. 257. For instances of the profanity of Mystery Plays, see the Towneley Plays ("Mactacio Abel," p. 7), first published by the Surtees Society in 1836, and republished by the Early English Text Society, 1897, E.S. No. lxxi.]