Note 394 — CANTO THE SECOND.
Reading edition
{613} If the reader will apply to his ear the sea-shell on his chimney-piece, he will be aware of what is alluded to. If the text should appear obscure, he will find in Gebir the same idea better expressed in two lines. The poem I never read, but have heard the lines quoted, by a more recondite reader—who seems to be of a different opinion from the editor of the Quarterly Review, who qualified it in his answer to the Critical Reviewer of his Juvenal, as trash of the worst and most insane description. It is to Mr. Landor, the author of Gebir, so qualified, and of some Latin poems, which vie with Martial or Catullus in obscenity, that the immaculate Mr. Southey addresses his declamation against impurity!
[These are the lines in Gebir to which Byron alludes—
"But I have sinuous shells of pearly hue. Shake one and it awakens; then apply Its polisht lips to your attentive ear, And it remembers its august abodes, And murmurs as the ocean murmurs there."
Compare, too, The Excursion, bk. iv.—
"I have seen A curious child, who dwelt upon a tract Of inland ground, applying to his ear The convolutions of a smooth-lipped shell, To which, in silence hushed, his very soul Listened intently," etc.
Landor, in his Satire upon Satirists, 1836, p. 29, commenting on Wordsworth's alleged remark that he "would not give five shillings for all the poetry that Southey had written" (see Letters, 1900, iv. Appendix IX. pp. 483, 484), calls attention to this unacknowledged borrowing, "It would have been honester," he says, "and more decorous if the writer of the following verses had mentioned from what bar he drew his wire." According to H. C. Robinson (Diary, 1869, iii. 114), Wordsworth acknowledged no obligation to Landor's Gebir for the image of the sea-shell. "From his childhood the shell was familiar to him, etc. The 'Satire' seemed to give Wordsworth little annoyance."]