Note 383 — CANTO THE FOURTH[375]

[Pierre is the hero of Otway's Venice Preserved. Shylock and the Moor stand where they did, but what of Pierre? If the name of Otway—"master of the tragic art"—and the title of his masterpiece—Venice Preserved, or The Plot Discovered (first played 1682)—are not wholly forgotten, Pierre and Monimia and Belvidera have "decayed," and are memorable chiefly as favourite characters of great actors and actresses. Genest notes twenty revivals of the Venice Preserved, which was played as late as October 27, 1837, when Macready played "Pierre," and Phelps "Jaffier." "No play that I know," says Hartley Coleridge (Essays, 1851, ii. 56), "gains so much by acting as Venice Preserved.... Miss O'Neill, I well remember, made me weep with Belvidera; but she would have done the same had she spoken in an unknown tongue." Byron, who professed to be a "great admirer of Otway," in a letter to Hodgson, August 22, 1811 (Letters, 1898, i. 339, note 1), alludes to some lines from Venice Preserved (act ii. sc. 3), which seem to have taken his fancy. Two lines spoken by Belvidera (act ii.), if less humorous, are more poetical—