Note 47 — CANTO THE FIRST.

{35} [The convent of Nossa Señora (now the Palazio) da Peña, and the Cork Convent, were visited by Beckford (circ. 1780), and are described in his Italy, with Sketches of Spain and Portugal (8vo, 1834), the reissue of his Letters Picturesque and Poetical (4to, 1783).

"Our first object was the convent of Nossa Senhora da Penha, the little romantic pile of white building I had seen glittering from afar when I first sailed by the coast of Lisbon. From this pyramidical elevation the view is boundless; you look immediately down upon an immense expanse of sea.

... A long series of detached clouds of a dazzling whiteness suspended low over the waves had a magic effect, and in pagan times might have appeared, without any great stretch of fancy, the cars of marine divinities, just risen from the bosom of their element."—Italy, etc., p. 249.

"Before the entrance, formed by two ledges of ponderous rock, extends a smooth level of greensward.... The Hermitage, its cell, chapel, and refectory, are all scooped out of the native marble, and lined with the bark of the cork tree. Several of the passages are not only roofed, but floored with the same material ... The shrubberies and garden-plots dispersed amongst the mossy rocks ... are delightful, and I took great pleasure in ... following the course of a transparent rill, which was conducted through a rustic water-shoot, between bushes of lavender and roses, many of the tenderest green."—Ibid., p. 250.

The inscription to the memory of Honorius (d. 159, æt. 95) is on a stone in front of the cave—