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The Works of John Marston. Volume 1

Note 44 — ANTONIO AND MELLIDA.

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Common, worthless.—The use of “modern” in this sense is frequently found, and was sanctioned by Shakespeare; but it did not escape Ben Jonson’s censure in The Poetaster, v. i.:—

“Alas! that were no modern consequence To have cothurnal buskins frightened hence.”

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