Note 123 — THE ART OF PAINTING;
Reading edition
There is a fallacy in this, which a moment’s consideration may detect. Painting does not present in one moment what tragedy shews in many hours, and cannot, on the contrary, shew more than one scene, at one minute and point of time. Doubtless, by presenting to us one striking situation, the painting recals, if we know the story, all that has preceded and is to follow; but this arises from association, and happens equally if we come suddenly into a theatre where a well-known tragedy is performing.