Note 117 — The Art of Violoncello Playing In the Nineteenth Century.
Isobella S. E. Stigand translation
Also the two Maras (father and son) had an important effect on Violoncello playing in Berlin, though not so great as that of the brothers Duport. Concerning the elder and younger Mara, the necessary details will be given in speaking of the Bohemian violoncellists.