Note 22 — Chapter V · NORTH TIROL—UNTERINNTHAL. (LEFT INN-BANK.)
Reading edition
A singular event, or curious popular fancy, obtained for Absam the honour of becoming a place of pilgrimage at the end of the last century. It was on January 17, 1797; a peasant’s daughter was looking idly out of window along the way her father would come home from the field; suddenly, in the firelight playing on one of the panes, she discerned a well-defined image of the Blessed Virgin, ‘as plain as ever she had seen a painting.’ Of course the neighbours flocked in to see the sight, and from them the news of the wonderful image spread through all the country round; at last it made so much noise, that the Dean of Innsbruck resolved to investigate the matter. A commission was appointed for this object, among their number being two professors of chemistry, and the painter, Joseph Schöpf. Their verdict was that the image had originally been painted on the glass; that the colours, faded by time, had been restored to the extent then apparent by the action of the particular atmosphere to which they had been exposed. The people could not appreciate their arguments, nor realize that any natural means could have produced so extraordinary a result. For them, it was a miraculous image still, and accordingly they put their faith in it as such; nor was their faith without its fruit. It was a season of terrible trouble, a pestilence was raging both among men and beasts; General Joubert had penetrated as far into the interior as Sterzing; everyone felt the impotence of ‘the arm of flesh’ in presence of such dire calamities. The image on the peasant’s humble window-pane seemed to have come as a token of heavenly favour; nothing would satisfy them but that it should be placed on one of the altars of the church, and the ‘Gnadenmutter22 von Absam’ drew all the fearful and sorrowing to put their trust in Heaven alone. Suddenly after this the enemy withdrew his troops, the pestilence ceased its havoc, and more firmly than ever the villagers believed in the supernatural nature of the image on the window-pane.