Note 9 — The Sixth New Year’s Feast after my auspicious Accession.

Note of Sayyid Aḥmad (to the fourth compartment).—“Evidently this masterpiece was not the work of a slave in the seal department, for no reason appears why the portrait of Jesus should be introduced into the fourth compartment. Probably this masterpiece was the work of Frank artists and had fallen into the hands of the slave, and he had ascribed it to his own workmanship. (Perhaps the scene depicted was the Transfiguration.)” ↑