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The treatises of Benvenuto Cellini on goldsmithing and sculpture

Note 70 — Chapter XIII · ON CARDINALS’ SEALS.

C. R. (Charles Robert) Ashbee translation

The 1568 edition gives a clearer version of this process than the original codex, which is confusing. I have translated it as literally as possible, but the following might be read as more descriptive of the process: The gesso matrix has been pressed into the sand of the first box, and has made the mould of the relief work of the seal, the dough is to make the shape of the body. It would be roughly cut away to clear the figures, and carefully placed over the part moulded. Then the second box would be put on, and the moist earth tightly packed in. After this the boxes would be separated and the dough taken out.

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