Note 618 — VII. OUTGROWTHS AND PERVERSIONS OF THIS RITE.
Reading edition
See Perrot and Chipiez’s History of Art in Chaldea and Assyria, I., 349 f. See, also, Layard’s Monuments, Series ii., pl. 5, for representation of the conflict between Marduk and Tiamat. The serpent is there shown on the feminine Tiamat where it appears on the masculine Nergal.