Note 110 — Chapter IV
Reading edition
Benvenuto Cellini, the Florentine engraver, in his amusing Autobiography, astonishes his readers with some necromantic wonders of which he was an eyewitness. Cellini had become acquainted and enamoured with a beautiful Sicilian, from whom he was suddenly separated. He tells with his accustomed candour and confidence, 'I was then indulging myself in pleasures of all sorts, and engaged in another amour to cancel the memory of my Sicilian mistress. It happened, through a variety of odd accidents, that I made acquaintance with a Sicilian priest, who was a man of genius, and well versed in the Latin and Greek authors. Happening one day to have some conversation with him upon the art of necromancy, I, who had a great desire to know something of the matter, told him I had all my life felt a curiosity to be acquainted with the mysteries of this art. The priest made answer that the man must be of a resolute and steady temper who enters upon that study.' And so it should seem from the event. One night, Cellini, with a companion familiar with the Black Art, attended the priest to the Colosseum, where the latter, 'according to the custom of necromancy, began to draw marks upon the ground, with the most impressive ceremonies imaginable; he likewise brought thither asafœtida, several precious perfumes and fire, with some compositions which diffused noisome odours.' Although several legions of devils obeyed the summons of the conjurations or compositions, the sorceric rites were not attended with complete success. But on a succeeding night, 'the necromancer having begun to make his tremendous invocations, called by their names a multitude of demons who were the leaders of the several legions, and invoked them by the virtue and power of the eternal uncreated God, who lives for ever, insomuch that the amphitheatre was almost in an instant filled with demons a hundred times more numerous than at the former conjuration ... I, by the direction of the necromancer, again desired to be in the company of my Angelica. The former thereupon turning to me said, "Know that they have declared that in the space of a month you shall be in her company." He then requested me to stand resolutely by him, because the legion were now above a thousand more in number than he had designed; and besides, these were the most dangerous, so that after they had answered my question it behoved him to be civil to them and dismiss them quietly.' The infernal legions were more easily evoked than dismissed. He proceeds—'Though I was as much terrified as any of them, I did my utmost to conceal the terror I felt; so that I greatly contributed to inspire the rest with resolution. But the truth is,' ingenuously confesses the amorous artist, 'I gave myself over for a dead man, seeing the horrid fright the necromancer was in.'—Autobiography of Benvenuto Cellini, chap. xiii., Roscoe's transl.—The information was verified, and Benvenuto enjoyed the society of his mistress at the time foretold.