Note 1 — INTRODUCTION

Beowulf is an Anglo-Saxon poem.—It consists of 3182 lines. It is written in the alliterative verse of our ancestors in the Anglo-Saxon tongue, which, though the mother-tongue of the English, is yet more difficult to read for the Englishman than Latin or Greek. One wonders whether any genuine Anglo-Saxon epic existed, and has been destroyed in the passing of the centuries. The curious feature about this poem is that it concerns a man who was not an Anglo-Saxon. Our poem is written in the West Saxon dialect. The original poem was probably in Northumbrian, and was translated into West Saxon during the period of literary efflorescence in the West Saxon Court. We do not know whether it was a translation or whether it was original, though the latter is, I believe, the prevailing opinion. Arnold has put forth what may be called the missionary theory of its origin. He believes that both the choice of subject and the grade of culture may be connected with the missionary efforts of the English Church of those days to extend Christianity in Friesland and further east. ‘It does not seem improbable that it was in the interest of the spread of Christianity that the composer of Beowulf—perhaps a missioner, perhaps a layman attached to the mission—was attracted to the Scandinavian lands; that he resided there long enough to become thoroughly steeped in the folk-lore and local traditions; that he found the grand figure of Beowulf the Geat predominant in them; and that, weaving into an organic whole those which he found suitable to his own purpose, he composed an epic which, on his return home, must soon have become known to all the lovers of English song.’1 Dr. Sarrazin thought this unknown poet might have been the famous Cynewulf. Arnold, chiefly on stylistic grounds, differs from this opinion. This is Arnold’s opinion: ‘Sagas, either in the Danish dialect or that of the Geats—more probably the latter—were current in the Scandinavian countries in the seventh century. Among these sagas, that of Beowulf the Geat must have had a prominent place; others celebrated Hygelac his uncle, Hnaef the Viking, the wars of the Danes and the Heathobards, of the Danes and the Swedes. About the end of the century missionaries from England are known to have been busy in Friesland and Denmark, endeavouring to convert the natives to Christianity. Some one of these, whose mind had a turn for literature and dwelt with joy upon the traditions of the past, collected or learnt by heart a number of these sagas, and, taking that of Beowulf as a basis, and weaving some others into his work, composed an epic poem to which, although it contains the record of those adventures, the heroic scale of the figure who accomplishes them all imparts a real unifying epic interest.’ Whatever may be the truth as to its origin, there it lies in the British Museum in its unique MS. as a testimony to all ages of the genius of the Anglo-Saxon race.