← Table of contents
The Stones of Venice, Volume 2 (of 3)

Note 35 — Chapter IV · (continued 2)

Reading edition

I do not mean that modern Christians believe less in the facts than ancient Christians, but they do not believe in the representation of the facts as true. We look upon the picture as this or that painter’s conception; the elder Christians looked upon it as this or that painter’s description of what had actually taken place. And in the Greek Church all painting is, to this day, strictly a branch of tradition. See M. Dideron’s admirably written introduction to his Iconographie Chrétienne, p. 7:—“Un de mes compagnons s’étonnait de retrouver à la Panagia de St. Luc, le saint Jean Chrysostome qu’il avait dessiné dans le baptistère de St. Marc, à Venise. Le costume des personnages est partout et en tout temps le même, non-seulement pour la forme, mais pour la couleur, mais pour le dessin, mais jusque pour le nombre et l’épaisseur des plis.”

Explore with AITake your curiosity a little further.

Reading settings