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The Song of Songs

Note 82 — INTRODUCTION. (continued 2)

Christian D. (Christian David) Ginsburg translation

1544. Castellio, seeing that Luther had rejected the allegorical interpretation of the Fathers, and propounded a theory of his own equally untenable, maintained that the book has no allegorical meaning whatever, but is merely a “colloquium Salomonis cum amica quadam Sulamitha,” and as such deemed it unworthy of a place in the sacred canon.82

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