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The Song of Songs

Note 77 — INTRODUCTION. (continued 2)

Christian D. (Christian David) Ginsburg translation

331–420. Jerome, however, (born at Stridon in Dalmatia in 331, and died in the vicinity of Bethlehem in 420,) who was exceedingly fond of the Greek philosophers, and, like Origen, was instructed in Hebrew literature by the Jews,77 as might have been expected, was not affected by the objections against the allegorical interpretation, but introduced it into the Western Churches. According to him, it is a nuptial and dramatic song on the occasion of the union of Christ with his Church or the soul of man. The bride and her companions, and the bridegroom and his companions are the interlocutors in the drama. He seems to have embraced almost entirely the theory and interpretation of Origen.

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