Note 10 — Translator’s Introduction

Later, in Ghent, he published El Filibusterismo, called by him a continuation of Noli Me Tangere, but with which it really has no more connection than that some of the characters reappear and are disposed of.10 There is almost no connected plot in it and hardly any action, but there is the same incisive character-drawing and clear etching of conditions that characterize the earlier work. It is a maturer effort and a more forceful political argument, hence it lacks the charm and simplicity which assign Noli Me Tangere to a preeminent place in Philippine literature. The light satire of the earlier work is replaced by bitter sarcasm delivered with deliberate intent, for the iron had evidently entered his soul with broadening experience and the realization that justice at the hands of decadent Spain had been an iridescent dream of his youth. Nor had the Spanish authorities in the Philippines been idle; his relatives had been subjected to all the annoyances and irritations of petty persecution, eventually losing the greater part of their property, while some of them suffered deportation.