Note 4 — Translator’s Introduction

Of this halcyon period, just before the process of disintegration began, there has fortunately been left a record which may be characterized as the most notable Spanish literary production relating to the Philippines, being the calm, sympathetic, judicial account of one who had spent his manhood in the work there and who, full of years and experience, sat down to tell the story of their life.4 In it there are no puerile whinings, no querulous curses that tropical Malays do not order their lives as did the people of the Spanish village where he may have been reared, no selfish laments of ingratitude over blessings unasked and only imperfectly understood by the natives, no fatuous self-deception as to the real conditions, but a patient consideration of the difficulties encountered, the good accomplished, and the unavoidable evils incident to any human work. The country and the people, too, are described with the charming simplicity of the eyes that see clearly, the brain that ponders deeply, and the heart that beats sympathetically. Through all the pages of his account runs the quiet strain of peace and contentment, of satisfaction with the existing order, for he had looked upon the creation and saw that it was good. There is “neither haste, nor hate, nor anger,” but the deliberate recital of the facts warmed and illumined by the geniality of a soul to whom age and experience had brought, not a sour cynicism, but the mellowing influence of a ripened philosophy. He was such an old man as may fondly be imagined walking through the streets of Parañaque in stately benignity amid the fear and respect of the brown people over whom he watched.