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The Sanskrit drama

Note 11 — IX VIÇĀKHADATTA AND BHAṬṬA NĀRĀYAṆA

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1 VOJ. ii. 212 ff.; contra Dhruva, VOJ. v. 25; Charpentier, JRAS. 1923, pp. 585 f. ↑

2 ID. pp. 70 f. Cf. Antani, IA. li. 49 f.; Winternitz, GIL. iii. 210. ↑

3 Keith, JRAS. 1909, pp. 145 f.; Hertel, ZDMG. lxx. 133 ff. It is later than the Mṛcchakaṭikā, the Raghuvaṅça (vii. 43 as compared with v. 23), and the Çiçupālavadha (i. 47 as compared with the last verse). ↑

4 Ed. A. Hillebrandt, Breslau, 1912; trs. Wilson, ii. 125 ff.; L. Fritze, Leipzig, 1886; V. Henry, Paris, 1888. ↑

5 Or Parvataka. For an effort to extract history, see CHI. i. 470 ff. It must be regarded as very dubious. ↑

6 TI. i. 226 f. ↑

7 His ability in this regard can be seen in the jingle of Malayaketu’s lament in v. 16. ↑

8 v. 1728. ↑

9 Mudrārākṣasa, v. 5. ↑

10 iii. i. ↑

11 v. 7. ↑

12 ii. 14. ↑

13 ii. 19. ↑

14 vi. 21. ↑

15 p. 154. ↑

16 p. 189. ↑

17 p. 153. ↑

18 Ed. KM. pp. 80, 150. ↑

19 Konow, ID. p. 77. ↑

20 Ed. J. Grill, Leipzig, 1871; Bombay, 1905; trs. S. M. Tagore, Calcutta, 1880. Traces of different recensions exist. ↑

21 ii. 41. ↑

22 ii. 47. ↑

23 v. 120. ↑

24 v. 122. ↑

25 i. 15. ↑

26 i. 25. ↑

27 vi. 197. ↑

28 v. 157. ↑

29 E.g. vi, p. 87 (Sanskrit); v, p. 59 (Prākrit). ↑

30 i. 27. ↑

31 v. 146. ↑

32 v. 144. ↑

33 vi. 178. ↑

34 SD. 408. Lévi, however, is in error (TI. i. 35, 224) in suggesting that SD. 406 censures as inappropriate Duryodhana and Karṇa’s dialogue in Act III. ↑

35 pp. 139, 140. ↑

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