Note 28 — VIII BHAVABHŪTI

In metre the Mahāvīracarita shows a free use of the Çloka, as is inevitable in an epic play; it is found 129 times; the Çārdūlavikrīḍita (75), Vasantatilaka (39), Çikhariṇī (31), and Sragdharā (28) are the other chief metres; the Upajāti, Mandākrāntā, and Mālinī are not rare, but the Āryā (3) and Gīti (1) are almost gone, and there are only sporadic Aupacchandasika, Puṣpitāgrā, Pṛthvī, Praharṣiṇī, Rathoddhatā, Vaṅçasthā, Çālinī, and Hariṇī. The Uttararāmacarita has the same metres, save the Sragdharā, a curious omission; it adds the Drutavilambita and Mañjubhāṣiṇī; the occurrences of the Çloka are 89, the Çikhariṇī is second (30), Vasantatilaka third (26), and Çārdūlavikrīḍita fourth (25). The Mālatīmādhava has the same metres as the Uttararāmacarita plus the Narkuṭaka28 and a Daṇḍaka of six short syllables and sixteen amphimacers; here the Vasantatilaka takes first place (49), Çārdūlavikrīḍita (32), Çikhariṇī (21), and Hariṇī (12). The Mālinī (21) and Mandākrāntā (15) take on greater importance, while the Çloka is negligible (14). The fact that there are only 8 Āryās reflects the changed character of Bhavabhūti’s versification from that of Kālidāsa.