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The Sanskrit drama

Note 29 — VII CANDRA, HARṢA, AND MAHENDRAVIKRAMAVARMAN

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‘Looked at, she casts down her face; addressed, she gives no reply; with head averted she lies on the couch; forcibly embraced, she trembles; when her maidens leave her chamber, she seeks also to depart; perverse though she be, my new-wed love delights me more and more.’ The accuracy of the aim of love as an archer is described in the Ratnāvalī:29

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