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The Sanskrit drama

Note 47 — VI KĀLIDĀSA

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The Mālavikāgnimitra, it is true, has far fewer beauties of diction than the other two dramas, but it contains many verses which are unmistakably the work of Kālidāsa, though they present much less than the maturity of his later style. The figure of discrepancy (viṣama) is illustrated by the description of the god of love whose bow, so innocent in seeming, can yet work such ill:47

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