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The Sanskrit drama

Note 78 — IV BHĀSA

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The Prākrits78 found in Bhāsa are normally Çaurasenī, which is present in all the plays save the Dūtavākya, which has no Prākrit; Māgadhī found in two different forms; and what may be styled Ardha-Māgadhī. The distinctive feature of his language is its transitional aspect as compared with Açvaghoṣa on the one hand and Kālidāsa on the other. Açvaghoṣa never softens—save in one instance—hard consonants, but both ṭ and t are changed to ḍ and d in Bhāsa. Açvaghoṣa never omits consonants, but, though this is less often carried out than in Kālidāsa, we find cases of the loss of k, g, c, j, t, d, p, b, v, and y when intervocalic. y itself suffers frequent change to j, contrary to Açvaghoṣa’s usage. The change of n initial and medial to ṇ is regular, while it is unknown to Açvaghoṣa. The aspirates kh, gh, th, dh, ph, and bh are all often reduced as later to h, but never in Açvaghoṣa.

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