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The Sanskrit drama

Note 77 — IV BHĀSA

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Bhāsa’s Sanskrit77 is in the main correct according to the rules of the grammarians, but his dependence on the epic is revealed by the occasional use of epic irregularities, almost always for the sake of the metre, which in the epic also is the cause of many deviations from classical grammar. We have thus the irregular contractions putreti and Avantyādhipateḥ, and a number of middle forms in lieu of active, gamiṣye, garjase, drakṣyate, pṛcchase, bhraçyate, ruhyate, çroṣyate. In other cases the active replaces the middle, āpṛccha, upalapsyati, pariṣvaja. There is confusion between the simple and the causative verb in sravati and vījanti, and in vimoktukāma. The forms rudantī and gṛhya have many epic parallels. Irregular compounds are sarvarājñaḥ in verse, and Kāçirājñe in prose; vyūḍhoras and tulyadharma occur in verse. The use in one clause of both ced and yadi is found in verse and also in prose, as in the epic. Mere blunders perhaps may be styled pratyāyati, a haplological form of the causative with the meaning of the simple verb, samāçvāsitum with causative sense, and yudh as a masculine noun. There are other seeming irregularities, but they are either sanctioned by usage or possible of explanation by reference to variant interpretations of Pāṇini’s rules.

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