Note 117 — III DRAMATIC THEORY XIII THE THEORY OF THE DRAMATIC ART
Reading edition
Including, of course, persons assuming such rôles, e.g. in the Pratijñāyaugandharāyaṇa and Mudrārākṣasa. For the use of Sanskrit by women, usually in verse, as by Vasantasenā in the Mṛcchakaṭikā, and by inferior characters, see Pischel, Prākrit Grammatik, pp. 31 f. ↑