Note 92 — III DRAMATIC THEORY XIII THE THEORY OF THE DRAMATIC ART
Reading edition
N. xx. 25–62; DR. ii. 44–57; iii. 5; SD. 285, 410–21; R. i. 244–94, which expressly denies a fifth manner composed of the four. ↑
Reading edition
N. xx. 25–62; DR. ii. 44–57; iii. 5; SD. 285, 410–21; R. i. 244–94, which expressly denies a fifth manner composed of the four. ↑