Note 53 — III DRAMATIC THEORY XIII THE THEORY OF THE DRAMATIC ART
Reading edition
N. xxii. 4–29; DR. ii. 28–39; SD. 126–55; R. i. 190–214, with Bhoja’s views. ↑
Reading edition
N. xxii. 4–29; DR. ii. 28–39; SD. 126–55; R. i. 190–214, with Bhoja’s views. ↑