Note 23 — III DRAMATIC THEORY XIII THE THEORY OF THE DRAMATIC ART
Reading edition
Abhinavagupta (Dhvanyāloka, p. 140) frankly treats the Avasthās as the Sandhis as parts of the story, and distinguishes the Arthaprakṛtis. DR. is responsible for the doctrine that each Sandhi rests on an Avasthā and an Arthaprakṛti, accepted in Pratāparudrīya, iii. 3; GGA. 1913, pp. 306–8; R. iii. 26 f. ↑