Note 22 — III DRAMATIC THEORY XIII THE THEORY OF THE DRAMATIC ART
Reading edition
N. xix. 16, 35 ff.; DR. i. 22 ff.; SD. 330 ff. Hali (DR., p. 11 n.) suggests nibarhaṇa as correct (N. xix. 36), wrongly. Cf. R. iii. 26–74. The precise parallelism of the Sandhis and Avasthās in the Bālarāmāyaṇa is given in R. iii. 23–5. ↑