Note 21 — III DRAMATIC THEORY XIII THE THEORY OF THE DRAMATIC ART
Reading edition
N. xix. 19–21; DR. i. 16 f.; SD. 317–19. The parallelism is faulty: neither episode nor incident is necessary nor corresponds to Prāptyāçā and Niyatāpti nor Garbha and Vimarça; Dhanika, DR. i. 33, admits this in effect; there is no episode in Ratnāvalī, III. Cf. R. iii. 22. ↑