Note 11 — III DRAMATIC THEORY XIII THE THEORY OF THE DRAMATIC ART
Reading edition
Ed. TSS. no. L, 1916. It freely uses the Daçarūpa. Cf. Seshagiri, Report for 1896–97, pp. 7 ff. Many verses by the author are cited. ↑
Reading edition
Ed. TSS. no. L, 1916. It freely uses the Daçarūpa. Cf. Seshagiri, Report for 1896–97, pp. 7 ff. Many verses by the author are cited. ↑