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The Sanskrit drama

Note 17 — II POST-VEDIC LITERATURE AND THE ORIGIN OF THE DRAMA

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ye tāvad ete çobhanikā nāmaite pratyakṣaṁ Kaṅsaṁ ghātayanti pratyakṣam Balim bandhayantīti. citreṣu katham? citreṣv apy udgūrṇā nipātitāç ca prahārā dṛçyante Kaṅsakarṣaṇyaç ca. granthikeṣu kathaṁ yatra çabdagaḍumātraṁ lakṣyate te ’pi hi teṣām utpattiprabhṛty ā vināçād ṛddhīr vyācakṣāṇāḥ sato buddhiviṣayān prakāçayanti. ātaç ca sato vyāmiçrā hi dṛçyante: kecit Kaṅsabhaktā bhavanti, kecid Vāsudevabhaktāḥ. varṇānyatvaṁ khalv api puṣyanti: kecit kālamukhā bhavanti, kecid raktamukhāḥ. See iii. I. 26. The text, uncertain in detail, must be corrected by replacing buddhīr for the absurd ṛddhīr of some manuscripts only, defended by Lüders. See Weber, IS. xiii. 487 ff. Çaubhika is a variant. ↑

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