Note 37 — X MURĀRI, RĀJAÇEKHARA, THEIR PREDECESSORS AND SUCCESSORS
Reading edition
Of all the plays the Karpūramañjarī is undoubtedly that which contains the most substantial evidence that Rājaçekhara had some real poetic talent, despite the banality and stupidity of his conception of love in Act III. The swing scene contains really effective lines of word-painting, in harmonious metre:37