Note 3 — Chapter IX

The style of the early poets was marked by haste, harshness, and redundance, occasionally by verbal conceits and similar errors of taste. That of the writers of comedy, on the other hand, is easy, natural, and elegant. The Latin language seems thus to have adapted itself to the needs of ordinary social life more readily than to the expression of elevated feeling. Though many phrases in the fragments which have been reviewed are boldly and vigorously conceived, few passages are written with continuous ease and smoothness, and the language constantly halts, as if inadequate to the meaning which labours under it. The style has, in general, the merits of directness and sincerity, often of freshness and vigour, but wants altogether the depth and richness of colour, as well as the finish and moderation which we expect in the literature of a people to whom poetry and art are naturally congenial, and associated with many old memories and feelings. Their merits of style, such as the simple force with which they go directly to the heart of a matter, and the grave earnestness of their tone, are qualities characteristic rather of oratory than of poetry. But this colouring of their style is very different from the artificial rhetoric of the literature of the Empire. The oratorical style of the early poets was the natural result of a sympathy with the most practical intellectual instrument of their age. The rhetoric of the Empire was the expression of an artificial life, in which literature was cultivated to beguile the tedium of compulsory inaction, and the highest form of public speaking had sunk from its proud office as the organ of political freedom into a mere exercise of pedants and schoolboys3.