Note 11 — Chapter VII

He was not a popular poet, in the sense in which Plautus was popular; he made no claim to original invention, or even original treatment of his materials: he was however not a mere translator but rather an adapter from the Greek; and his aim was to give a true picture of Greek life and manners in the purest Latin style. He stands in much the same relation to Menander and other writers of the new comedy11, as that in which a fine engraver stands to a great painter. He speaks with the enthusiasm not of a creative genius, but of an imitative artist, inspired by a strong admiration of his models. And this view of his aim is confirmed by the result which he attained. He has none of the purely Roman characteristics of Plautus, in sentiment, allusion, or style12; none of his extravagance, and none of his creative exuberance of fancy. The law which Terence always imposes on himself is the 'ne quid nimis.' He aims at correctness and consistency, and rejects nearly every expression or allusion which might remind his hearers that they were in Rome and not in Athens. His plots are tamer and less varied in their interest than those of Plautus, but they are worked out much more carefully and artistically. He takes great pains in the opening scenes to make the situation in which the play begins clear, and he allows the action to proceed to the dénouement through the medium of the natural play of character and motive. As a painter of life it is not by striking effects, but by his truth in detail, and his power of delineating the finer distinctions in varying specimens of the same type, that he gains the admiration of the reader. There are no strongly-drawn or vividly conceived personages in his plays, but they all act and speak in the most natural manner. Though he has left no trace in any of his plays of one drawing directly from the life, there is no more truthful, natural, and delicate delineator of human nature, in its ordinary and more level moods, within the whole range of classical literature. Characters, circumstances, motives, etc., are all in keeping with a cosmopolitan type of citizen or family life, courteous and humane, taking the world easily, and outwardly decorous in its pleasures, but without serious interests, or high aspirations.