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The Roman Poets of the Republic, 3rd edition

Note 10 — Chapter II

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The change in character, here described, from coarse and good-humoured bantering to libellous scurrility, may be conjectured to have taken place when the Fescennine freedom passed from villages and country districts to the active social and political life within the city. That this change had taken place in Rome at an early period, is proved by the fact that libellous verses were forbidden by the laws of the Twelve Tables10. The original Fescennine verse appears, from the testimony of Horace, to have been in metrical dialogue. This rude amusement, in which a coarse kind of banter was interchanged during their festive gatherings, was in early times characteristic of the rural populations of Greece and Sicily, as well as Italy, and was one of the original elements out of which Greek comedy and Greek pastoral poetry were developed. These verses had a kindred origin with that of the Phallic Odes among the Greeks. They both appear to have sprung out of the rudest rites and the grossest symbolism of rustic paganism. The Fescennine raillery long retained traces of this original character. Catullus mentions the 'procax Fescennina locutio,' among the accompaniments of marriage festivals; and the songs of the soldiers, in the extravagant license of the triumphal procession, betrayed unmistakably this primitive coarseness.

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