Note 74 — Chapter XV

The rhythm also is elaborately constructed after a Greek model,—the model, not of Homer, but of the later poets who wrote in his metre. It is much more carefully and correctly finished than the rhythm of Lucretius. Each separate line has a smoother cadence. The whole movement is more regular, more calm, and more stately. But with all the occasional roughness of Lucretius there is much more life and force in his general movement. It is much more capable of presenting a continuous thought or action to the mind. The lines of Catullus seem intended to be dwelt on separately, and each to bring out some point of detail. There is generally a pause in the sense at the end of each line, and thus the lines, when read continuously, produce an impression of monotony74, which is increased by the frequent use of spondaic lines. The uniformity of his pauses, and the sameness of structure in a large number of his hexameters, enable us to appreciate the great improvement in rhythmical art which appeared some ten years later in the Bucolics of Virgil. Yet if Catullus does not, in this his most elaborate work, equal the natural force of language and rhythm displayed in his simpler pieces, the poem, as a whole, has a noble and stately movement, in unison with the noble and stately pictures of an ideal fore-time which it brings before the imagination.