Note 6 — Chapter I

It is a common remark that the very greatest poets are those about whose personal characteristics least is known. It is impossible in their case to determine how far they have expressed their real sympathies or convictions. They rise above the prejudices of their country and the accidents of their time, and can see the good and evil inseparably mixed in all human action. No criticism can throw any trustworthy light on the personal position, the pursuits and aims, the outward and inward experience of Homer. It cannot even be determined with certainty how much of the poetry which bears his name is the creation of one, seemingly, inexhaustible genius; and how much is the 'divine voice' of earlier singers still 'floating around him.' Such inquiries are ever attracting and ever baffling a high curiosity. They leave the mind perplexed with the doubt whether it is discerning, in the far distance, the outline of solid mountain-land, or only the transient shapes of the clouds. Hesiod, on the other hand, a poet of perhaps equal antiquity, but of an infinitely lower order of genius, has left his own likeness graphically delineated on his remains. There is much to interest a reader in the old didactic poem, 'The Works and Days,' but it is not the interest of studying a work of art or of creative genius. The charm of the book consists partly in its power of calling up the ideas of a remote antiquity and of human life in its most elemental conditions; partly in the distinct impression which it bears of a character of an antique and primitive and yet not unfamiliar type;—a character of deep natural piety and righteousness, but with a quaint intermixture of other qualities;—homespun sagacity and worldly wisdom; genuine thrift, and horror of idleness, of war, of seafaring enterprise;—sardonic dislike of the airs and vices of women, and a grim discontent with his own condition, and with the poor soil which it was his lot to till6. It is through his want of those gifts of genius which have made Homer immortal as a poet, and a mere name as a man, that Hesiod has left so distinct a picture of himself to the latest times. In like manner Roman poetry, while never rising to the heights of purely creative and impersonal genius, from this very defect, is a truer revelation of the poets themselves. The Aeneid supplies ample materials for understanding the affections and convictions of Virgil. Lucretius makes his personal presence felt through the whole march of his argument, and supports every position of his system not with his logic only, but with the whole force of his nature. The fragments of Ennius and of Lucilius afford ample evidence by which we may judge what kind of men they were.