Note 89 — Chapter XIX

The more or less geometrically regular phantasms which are produced by pressure on the eyeballs, congestion of the head, inhalation of anæsthetics, etc., might again be cited to prove that faint and vague excitements of sense-organs are transformed into figured objects by the brain, only the facts are not quite clearly interpretable; and the figuring may possibly be due to some retinal peculiarity, as yet unexplored. Beautiful patterns, which would do for wall-papers, succeed each other when the eyeballs are long pressed. Goethe's account of his own phantasm of a flower is well known. It came in the middle of his visual field whenever he closed his eyes and depressed his head, "unfolding itself and developing from its interior new flowers, formed of colored or sometimes green leaves, not natural but of fantastic forms, and symmetrical as the rosettes of sculptors," etc. (quoted in Müller's Physiology, Baly's tr., p. 1397). The fortification- and zigzag-patterns, which are well-known appearances in the field of view in certain functional disorders, have characteristics (steadiness, coerciveness, blotting out of other objects) suggestive of a retinal origin—this is why the entire class of phenomena treated of in this note seem to me still doubtfully connected with the cerebral factor in perception of which the text treats.—I copy from Taine's book on Intelligence (vol. i. p. 61) the translation of an interesting observation by Prof. M. Lazarus, in which the same effect of an after-image is seen. Lazarus himself proposes the name of 'visionary illusions' for such modifications of ideal pictures by peripheral stimulations (Lehre von den Sinnestäuschungen, 1867, p. 19). "I was on the Kaltbad terrace at Rigi, on a very clear afternoon, and attempting to make out the Waldbruder, a rock which stands out from the midst of the gigantic wall of mountains surrounding it, on whose summits we see like a crown the glaciers of Titlis, Uri-Rothsdock, etc. I was looking alternately with the naked eye and with a spy-glass; but could not distinguish it with the naked eye. For the space of six to ten minutes I had gazed steadfastly upon the mountains, whose color varied according to their several altitudes or declivities between violet, brown, and dark green, and I had fatigued myself to no purpose, when I ceased looking and turned away. At that moment I saw before me (I cannot recollect whether my eyes were shut or open) the figure of an absent friend, like a corpse.... I asked myself at once how I had come to think of my absent friend.—In a few seconds I regained the thread of my thoughts, which my looking for the Waldbruder had interrupted, and readily found that the idea of my friend had by a very simple necessity introduced itself among them. My recollecting him was thus naturally accounted for.—But in addition to this, he had appeared as a corpse. How was this?—At this moment, whether through fatigue or in order to think, I closed my eyes, and found at once the whole field of sight, over a considerable extent, covered with the same corpse-like hue, a greenish-yellow gray. I thought at once that I had here the principle of the desired explanation, and attempted to recall to memory the forms of other persons. And, in fact, these forms too appeared like corpses; standing or sitting, as I wished, all had a corpse-like tint. The persons whom I wished to see did not all appear to me as sensible phantoms; and again, when my eyes were open. I did not see phantoms, or at all events only saw them faintly, of no determined color.—I then inquired how it was that phantoms of persons were affected by and colored like the visual field surrounding them, how their outlines were traced, and if their faces and clothes were of the same color. But it was then too late, or perhaps the influence of reflection and examination had been too powerful. All grew suddenly pale, and the subjective phenomenon, which might have lasted some minutes longer, had disappeared.—It is plain that here an inward reminiscence, arising in accordance with the laws of association, had combined with an optical after-image. The excessive excitation of the periphery of the optic nerve, I mean the long-continued preceding sensation of my eyes when contemplating the color of the mountain, had indirectly provoked a subjective and durable sensation, that of the complementary color; and my reminiscence, incorporating itself with this subjective sensation, became the corpse-like phantom I have described."