Note 18 — Chapter XVII · BORON, ALUMINIUM, AND THE ANALOGOUS METALS OF THE THIRD GROUP

Everyone knows that a mixture of clay and water is endowed with the property of taking a given form when subjected to a moderate pressure. This plasticity of clay renders it an invaluable material for practical purposes. From clay are moulded and manufactured a variety of objects, beginning with the common brick and ending with the most delicate china works of art. This plasticity of clay increases with its purity. When articles made of clay are dried, the well-known hard mass is obtained; but water washes it away, and furthermore, the cohesion of its particles is not sufficiently great for it to resist the impression of blows, shocks, &c. If such an article be subjected to the action of heat, its volume first decreases, then it begins to lose water, and it shrinks still further (in the case of a compact mass approximately by ⅕ of its linear measurement). On the other hand, a great coherence of particles is obtained, and thus burnt clay has the hardness of stone. Pure clay, however, shrinks so considerably when burnt that the form given to it is destroyed and cracks easily form; such vessels are also porous, so that they will not hold water. The addition of sand—that is, silica in fine particles—or of chamotte—that is, already burnt and crushed clay—renders the mass much more dense and incapable of cracking in the furnace. Nevertheless, such clay articles (bricks, earthenware vessels, &c.) are still porous to liquids after being burnt, because the clay in the furnace is only baked and does not fuse. In order to obtain articles impervious to water the clay must either be mixed with substances which form a glassy mass in the furnace, permeating the clay and filling up its pores, or else only the surface of the article is covered with such a glassy fusible substance. In the first case the purest kinds of clay give what is known as china, in the second case porcelain or ‘faïence.’ So, for instance, by covering the surface of clay articles with a layer of the oxides of lead and tin, the well-known white glaze is obtained, because the oxides of these metals give a white gloss when fused with silica and clay. In the preparation of china, fluor spar and finely ground silica is mixed up into the clay; these ingredients give a mass which is infusible but softens in the furnace, so that all the particles of the clay cohere in this softened mass, which hardens on cooling. A glaze composed of glassy substances, which only fuse at a high temperature, is also applied to the surface of china articles.