Note 24 — V. MEMORIAL CHRONOLOGY.

The truths of Scripture are of too vast a compass, too much like the Author of those truths—illimitable and incapable of verbal circumscription, and, besides, are too much diffused through many collateral truths, too deeply echoed and reverberated by trains of correspondences and affinities laid deep in nature, and above all, too affectingly transcribed in the human heart, ever to come within the compass or material influence of a few words this way or that; any more than all eternity can be really and locally confined within a little golden ring which is assumed for its symbol. The same thing, I repeat, may be said of chronology and its accidents. The chronologies of Scripture, its prophetic weeks of Daniel, and its mysterious æons of the Apocalypse, are too awful in their realities, too vast in their sweep and range of application, to be controlled or affected by the very utmost errors that could arise from lapse of time or transcription unrevised. And the more so, because errors that by the supposition are errors of accident, cannot all point in one direction: one would be likely in many cases to compensate another. But, finally, I would make this frank acknowledgment to a young pupil without fear that it could affect her reverence for Scripture. It is of the very grandeur of Scripture that she can afford to be negligent of her chronology. Suppose this case: suppose the Scriptures protected by no special care or providence; suppose no security, no barrier to further errors, to have arisen from the discovery of printing—suppose the Scriptures to be in consequence transcribed for thousands of years—even in that case the final result would be this: it would be (and in part perhaps it really is) true or not true as to its minor or petty chronology—not true, as having been altered insensibly like any human composition where the internal sense was not of a nature to maintain its integrity. True, even as to trifles, in that sense which the majestic simplicity and self-conformity of truth in a tale originally true would guarantee, it might yet be, because of the grandeur of the main aim, and the sense of deeper relations and the perception of verisimilitude.