Notes to The poetical works of Anna Seward, Vol. 3 [of 3] — Reading edition
189 notes · Reading edition
EYAM. [1] · Note 1EYAM. [1] · Note 2EYAM. [1] · Note 3REMONSTRANCE ADDRESSED TO WILLIAM COWPER, ESQ. IN 1788, ON THE SARCASMS LEVELLED AT NATIONAL GRATITUDE IN THE TASK.[4] · Note 1REMONSTRANCE ADDRESSED TO WILLIAM COWPER, ESQ. IN 1788, ON THE SARCASMS LEVELLED AT NATIONAL GRATITUDE IN THE TASK.[4] · Note 2REMONSTRANCE ADDRESSED TO WILLIAM COWPER, ESQ. IN 1788, ON THE SARCASMS LEVELLED AT NATIONAL GRATITUDE IN THE TASK.[4] · Note 3REMONSTRANCE ADDRESSED TO WILLIAM COWPER, ESQ. IN 1788, ON THE SARCASMS LEVELLED AT NATIONAL GRATITUDE IN THE TASK.[4] · Note 4REMONSTRANCE ADDRESSED TO WILLIAM COWPER, ESQ. IN 1788, ON THE SARCASMS LEVELLED AT NATIONAL GRATITUDE IN THE TASK.[4] · Note 5REMONSTRANCE ADDRESSED TO WILLIAM COWPER, ESQ. IN 1788, ON THE SARCASMS LEVELLED AT NATIONAL GRATITUDE IN THE TASK.[4] · Note 6REMONSTRANCE ADDRESSED TO WILLIAM COWPER, ESQ. IN 1788, ON THE SARCASMS LEVELLED AT NATIONAL GRATITUDE IN THE TASK.[4] · Note 7REMONSTRANCE ADDRESSED TO WILLIAM COWPER, ESQ. IN 1788, ON THE SARCASMS LEVELLED AT NATIONAL GRATITUDE IN THE TASK.[4] · Note 8REMONSTRANCE ADDRESSED TO WILLIAM COWPER, ESQ. IN 1788, ON THE SARCASMS LEVELLED AT NATIONAL GRATITUDE IN THE TASK.[4] · Note 9REMONSTRANCE ADDRESSED TO WILLIAM COWPER, ESQ. IN 1788, ON THE SARCASMS LEVELLED AT NATIONAL GRATITUDE IN THE TASK.[4] · Note 10CRUGAL’s GHOST, APPEARING TO CONNAL,—FROM OSSIAN.[14] · Note 1TO Mr JOHN SALT, of LICHFIELD,[15] ON HAVING READ SOME OF HIS COMPOSITIONS ON A RAINY EVENING, IN AUGUST, 1789. · Note 1ON THE SUDDEN DEATH OF THE CELEBRATED Mr NORRIS, of OXFORD, BATCHELOR OF MUSIC.[16] · Note 1ON MAJOR ANDRE. SERIOUS EPIGRAM TRANSLATED FROM THE FRENCH.[17] · Note 1HAROLD’s COMPLAINT.[18] A SCANDINAVIAN ODE. FROM DR ALEXANDER’S HISTORY OF WOMEN. [19] · Note 1HAROLD’s COMPLAINT.[18] A SCANDINAVIAN ODE. FROM DR ALEXANDER’S HISTORY OF WOMEN. [19] · Note 2HAROLD’s COMPLAINT.[18] A SCANDINAVIAN ODE. FROM DR ALEXANDER’S HISTORY OF WOMEN. [19] · Note 3WRITTEN AFTER HAVING VISITED MISS MORE, AND HER SISTERS AT COWSLIP GREEN, NEAR BRISTOL, IN AUGUST 1791. · Note 1TRANSLATION OF GRAY’S APOSTROPHE, TO THE MEMORY OF HIS YOUNG FRIEND, WEST, IN HIS UNFINISHED LATIN POEM, De principiis cogitandi.[22] · Note 1PARAPHRASE OF GRAY’s ALCAICK ODE, WRITTEN IN THE ALBUM OF THE GRAND CHARTREUSE, ON HIS WAY BACK TO ENGLAND, AFTER HAVING VISITED THE ITALIAN CITIES WITH MR WALPOLE.[23] · Note 1PARAPHRASE OF GRAY’s ALCAICK ODE, WRITTEN IN THE ALBUM OF THE GRAND CHARTREUSE, ON HIS WAY BACK TO ENGLAND, AFTER HAVING VISITED THE ITALIAN CITIES WITH MR WALPOLE.[23] · Note 2TO Sir NIGEL GRESLEY. APOLOGY FOR NOT ACCEPTING HIS INVITATION TO A MASQUERADE-BALL AT HIS SEAT, DRAKELOW, IN STAFFORDSHIRE. · Note 1TO Sir NIGEL GRESLEY. APOLOGY FOR NOT ACCEPTING HIS INVITATION TO A MASQUERADE-BALL AT HIS SEAT, DRAKELOW, IN STAFFORDSHIRE. · Note 2SONNET, to the Rev. RICHARD POLWHELE, ON HIS poem UPON THE INFLUENCE OF LOCAL ATTACHMENT.[27] · Note 1TO CHARLES SIMPSON, Esq. BARRISTER; WITH THOS. WARTON’S EDITION OF MILTON’S LESSER POEMS, ENRICHED BY THE EDITOR’S CRITICAL NOTES. · Note 1TO CHARLES SIMPSON, Esq. BARRISTER; WITH THOS. WARTON’S EDITION OF MILTON’S LESSER POEMS, ENRICHED BY THE EDITOR’S CRITICAL NOTES. · Note 2TO CHARLES SIMPSON, Esq. BARRISTER; WITH THOS. WARTON’S EDITION OF MILTON’S LESSER POEMS, ENRICHED BY THE EDITOR’S CRITICAL NOTES. · Note 3TO CH. CLARKE, Esq. ON HIS REQUEST TO OBTAIN THE AUTHOR’S SIGNATURE WRITTEN WITH HER OWN HAND. (IMPROMPTU.) · Note 1TO HUMPHRY REPTON, Esq. ON BEING PRESENTED BY HIM WITH HIS LANDSCAPE OF STOWE-VALLEY.[32] · Note 1TO HUMPHRY REPTON, Esq. ON BEING PRESENTED BY HIM WITH HIS LANDSCAPE OF STOWE-VALLEY.[32] · Note 2PHILIPPIC ON A MODERN EPIC. · Note 1PHILIPPIC ON A MODERN EPIC. · Note 2PHILIPPIC ON A MODERN EPIC. · Note 3LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 1LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 2LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 3LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 4LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 5LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 6LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 7LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 8LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 9LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 10LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 11LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 12LLANGOLLEN VALE, INSCRIBED TO THE RIGHT HONOURABLE LADY ELEANOR BUTLER, AND MISS PONSONBY. · Note 13VERSES ON WREXHAM, AND THE INHABITANTS OF ITS ENVIRONS. · Note 1VERSES ON WREXHAM, AND THE INHABITANTS OF ITS ENVIRONS. · Note 2VERSES ON WREXHAM, AND THE INHABITANTS OF ITS ENVIRONS. · Note 3VERSES ON WREXHAM, AND THE INHABITANTS OF ITS ENVIRONS. · Note 4VERSES ON WREXHAM, AND THE INHABITANTS OF ITS ENVIRONS. · Note 5VERSES ON WREXHAM, AND THE INHABITANTS OF ITS ENVIRONS. · Note 6VERSES ON WREXHAM, AND THE INHABITANTS OF ITS ENVIRONS. · Note 7VERSES ON WREXHAM, AND THE INHABITANTS OF ITS ENVIRONS. · Note 8HOYLE LAKE, [58] A POEM, WRITTEN ON THAT COAST, AND ADDRESSED TO ITS PROPRIETOR, SIR JOHN STANLEY. · Note 1HOYLE LAKE, [58] A POEM, WRITTEN ON THAT COAST, AND ADDRESSED TO ITS PROPRIETOR, SIR JOHN STANLEY. · Note 2HOYLE LAKE, [58] A POEM, WRITTEN ON THAT COAST, AND ADDRESSED TO ITS PROPRIETOR, SIR JOHN STANLEY. · Note 3HOYLE LAKE, [58] A POEM, WRITTEN ON THAT COAST, AND ADDRESSED TO ITS PROPRIETOR, SIR JOHN STANLEY. · Note 4HOYLE LAKE, [58] A POEM, WRITTEN ON THAT COAST, AND ADDRESSED TO ITS PROPRIETOR, SIR JOHN STANLEY. · Note 5HOYLE LAKE, [58] A POEM, WRITTEN ON THAT COAST, AND ADDRESSED TO ITS PROPRIETOR, SIR JOHN STANLEY. · Note 6HERVA, [64] AT THE TOMB OF ARGANTYR. A RUNIC DIALOGUE. · Note 1HERVA, [64] AT THE TOMB OF ARGANTYR. A RUNIC DIALOGUE. · Note 2HERVA, [64] AT THE TOMB OF ARGANTYR. A RUNIC DIALOGUE. · Note 3INSCRIPTIONS. EACH WRITTEN ON A CARD INCLOSED IN A LETTER-CASE, NETTED BY THE AUTHOR, AND PRESENTED TO HER FRIENDS. · Note 1INSCRIPTIONS. EACH WRITTEN ON A CARD INCLOSED IN A LETTER-CASE, NETTED BY THE AUTHOR, AND PRESENTED TO HER FRIENDS. · Note 2INSCRIPTIONS. EACH WRITTEN ON A CARD INCLOSED IN A LETTER-CASE, NETTED BY THE AUTHOR, AND PRESENTED TO HER FRIENDS. · Note 3INSCRIPTIONS, SEALED UP AND INCLOSED IN NET LETTER-CASES, PRESENTED TO THE CHARITABLE REPOSITORY AT LICHFIELD. · Note 1ODE ON ENGLAND’S NAVAL TRIUMPHS IN THE PRESENT WAR.[71] · Note 1TO THE RIGHT HONOURABLE THE MARCHIONESS OF DONEGALL, WITH MR HAYLEY’S LIFE OF MILTON. · Note 1TO MISS GODFREY,[73] WITH MR HAYLEY’S LIFE OF MILTON. · Note 1SONNET I. [74] · Note 1SONNET IV. TO HONORA SNEYD,[75] WHOSE HEALTH WAS ALWAYS BEST IN WINTER. MAY 1770. · Note 1SONNET XVII.[76] · Note 1SONNET XXI. · Note 1SONNET XXIII. TO MISS E. S. · Note 1SONNET XXV. PETRARCH to VAUCLUSE.[79] · Note 1SONNET XL. DEC. 19TH, 1782. DECEMBER MORNING.[80] · Note 1SONNET XLIII. TO MAY, IN THE YEAR 1783. · Note 1SONNET XLV.[82] · Note 1SONNET XLVII. ON MR SARGENT’S DRAMATIC POEM, THE MINE.[83] · Note 1SONNET XLIX. ON THE USE OF NEW AND OLD WORDS IN POETRY. · Note 1SONNET LI. TO SYLVIA, ON HER APPROACHING NUPTIALS. · Note 1SONNET LII. · Note 1SONNET LIII. WRITTEN IN THE SPRING 1785 ON THE DEATH OF THE POET LAUREAT. · Note 1SONNET LVI. TO A TIMID YOUNG LADY, DISTRESSED BY THE ATTENTIONS OF AN AMIABLE AND ACCEPTED LOVER. · Note 1SONNET LVII. WRITTEN THE NIGHT PRECEDING THE FUNERAL OF MRS CHARLES BUCKERIDGE.[89] · Note 1SONNET LX.[90] · Note 1SONNET LXI. TO MR HENRY CARY,[91] ON READING HIS SONNETS WRITTEN AT SIXTEEN. · Note 1SONNET LXII.[92] · Note 1SONNET LXVII. ON DOCTOR JOHNSON’S UNJUST CRITICISMS IN HIS LIVES OF THE POETS.[93] · Note 1SONNET LXXIV. · Note 1SONNET LXXVI. THE CRITICS OF DR JOHNSON’S SCHOOL.[95] · Note 1SONNET LXXVIII. · Note 1SONNET LXXXVI. TO THE LAKE OF KILLARNEY.[97] · Note 1SONNET XCIII. · Note 1TO MÆCENAS. BOOK THE FIRST, ODE THE FIRST. · Note 1TO MÆCENAS. BOOK THE FIRST, ODE THE FIRST. · Note 2TO PYRRHA. BOOK THE FIRST, ODE THE FIFTH. · Note 1TO MUNATIUS PLANCUS.[102] BOOK THE FIRST, ODE THE SEVENTH. · Note 1TO MUNATIUS PLANCUS.[102] BOOK THE FIRST, ODE THE SEVENTH. · Note 2TO MUNATIUS PLANCUS.[102] BOOK THE FIRST, ODE THE SEVENTH. · Note 3TO MUNATIUS PLANCUS.[102] BOOK THE FIRST, ODE THE SEVENTH. · Note 4TO MUNATIUS PLANCUS.[102] BOOK THE FIRST, ODE THE SEVENTH. · Note 5TO MUNATIUS PLANCUS.[102] BOOK THE FIRST, ODE THE SEVENTH. · Note 6TO THALIARCHUS.[108] BOOK THE FIRST, ODE THE NINTH. · Note 1TO APOLLO. BOOK THE FIRST, ODE THE THIRTY-FIRST. · Note 1TO APOLLO. BOOK THE FIRST, ODE THE THIRTY-FIRST. · Note 2TO SALLUST. BOOK THE SECOND, ODE THE SECOND. · Note 1TO THE HONOURABLE THOMAS ERSKINE. HORACE, BOOK THE SECOND, ODE THE THIRD, IMITATED. OCTOBER, 1796. · Note 1TO TITUS VALGIUS.[113] BOOK THE SECOND, ODE THE NINTH. · Note 1TO TITUS VALGIUS.[113] BOOK THE SECOND, ODE THE NINTH. · Note 2TO TITUS VALGIUS.[113] BOOK THE SECOND, ODE THE NINTH. · Note 3TO TITUS VALGIUS.[113] BOOK THE SECOND, ODE THE NINTH. · Note 4TO TITUS VALGIUS.[113] BOOK THE SECOND, ODE THE NINTH. · Note 5TO TITUS VALGIUS.[113] BOOK THE SECOND, ODE THE NINTH. · Note 6TO TITUS VALGIUS.[113] BOOK THE SECOND, ODE THE NINTH. · Note 7TO LICINIUS MURENA.[120] BOOK THE SECOND, ODE THE TENTH. · Note 1TO LICINIUS MURENA.[120] BOOK THE SECOND, ODE THE TENTH. · Note 2TO MÆCENAS.[122] BOOK THE SECOND, ODE THE TWELFTH. · Note 1TO MÆCENAS.[122] BOOK THE SECOND, ODE THE TWELFTH. · Note 2TO THE FOUNTAIN OF BLANDUSIA.[124] BOOK THE THIRD, ODE THE THIRTEENTH. · Note 1TO TELEPHUS.[125] BOOK THE THIRD, ODE THE NINETEENTH. · Note 1TO TELEPHUS.[125] BOOK THE THIRD, ODE THE NINETEENTH. · Note 2TO WILLIAM HAYLEY, Esq. BOOK THE FOURTH, ODE THE SEVENTH, IMITATED. · Note 1TO PHYLLIS. INVITING HER TO CELEBRATE THE BIRTH-DAY OF MÆCENAS. BOOK THE FOURTH, ODE THE ELEVENTH. · Note 1TO PHYLLIS. INVITING HER TO CELEBRATE THE BIRTH-DAY OF MÆCENAS. BOOK THE FOURTH, ODE THE ELEVENTH. · Note 2TO PHYLLIS. INVITING HER TO CELEBRATE THE BIRTH-DAY OF MÆCENAS. BOOK THE FOURTH, ODE THE ELEVENTH. · Note 3ON THE PLEASURES OF RURAL LIFE.[131] BOOK THE FIFTH, EPODE THE SECOND. · Note 1ON THE PLEASURES OF RURAL LIFE.[131] BOOK THE FIFTH, EPODE THE SECOND. · Note 2ON THE PLEASURES OF RURAL LIFE.[131] BOOK THE FIFTH, EPODE THE SECOND. · Note 3ON THE PLEASURES OF RURAL LIFE.[131] BOOK THE FIFTH, EPODE THE SECOND. · Note 4ON THE PLEASURES OF RURAL LIFE.[131] BOOK THE FIFTH, EPODE THE SECOND. · Note 5ON THE PLEASURES OF RURAL LIFE.[131] BOOK THE FIFTH, EPODE THE SECOND. · Note 6TO THE ROMAN PEOPLE, ON THEIR RENEWING THE CIVIL WARS. BOOK THE FIFTH, ODE THE SEVENTH. · Note 1GREVILLE and JULIA. · Note 1GREVILLE and JULIA. · Note 2GREVILLE and JULIA. · Note 3GREVILLE and JULIA. · Note 4GREVILLE and JULIA. · Note 5GREVILLE and JULIA. · Note 6GREVILLE and JULIA. · Note 7GREVILLE and JULIA. · Note 8GREVILLE and JULIA. · Note 9SONNET.[147] · Note 1SONNET.[147] · Note 2ADDRESS TO THE RIVER IN A LANDSCAPE, BEAUTIFULLY DRAWN BY THE REV. WILLIAM BREE, AND IN THE POSSESSION OF THE REV. HENRY WHITE OF LICHFIELD. · Note 1TO MISS HONORA SMITH of LICHFIELD.[150] WRITTEN JUNE 1800. · Note 1ADMONITION TO ROSILDA. · Note 1A MARINE VIEW MORALIZED ADDRESSED TO MISS ANNE LLOYD OF DERBY.[152] · Note 1A MARINE VIEW MORALIZED ADDRESSED TO MISS ANNE LLOYD OF DERBY.[152] · Note 2A MARINE VIEW MORALIZED ADDRESSED TO MISS ANNE LLOYD OF DERBY.[152] · Note 3A FAREWELL TO THE SEAT OF LADY ELEANOR BUTLER, AND MISS PONSONBY, IN LLANGOLLEN VALE, DENBIGHSHIRE. SEPTEMBER, 1802. · Note 1CONSOLATION, ADDRESSED TO MR THOS. H——D, APRIL 1801, WITH A POCKET-BOOK. · Note 1BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 1BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 2BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 3BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 4BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 5BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 6BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 7BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 8BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 9BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 10BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 11BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 12BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 13BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 14BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 15BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 16BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 17BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 18BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 19BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 20BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 21BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 22BALLAD IN THE ANCIENT SCOTCH DIALECT, AULD WILLIE’S FAREWELL, A Free-Booter, taken in a Border Battle, and condemned to be Executed.[157] · Note 23ADDRESSED TO THE REV. THOMAS SEDGEWICK WHALLEY, ON LEAVING HIS SEAT, MENDIP LODGE, IN SOMERSETSHIRE, OCT. 10th, 1804. · Note 1ADDRESSED TO THE REV. THOMAS SEDGEWICK WHALLEY, ON LEAVING HIS SEAT, MENDIP LODGE, IN SOMERSETSHIRE, OCT. 10th, 1804. · Note 2TO MRS SKERETT, WRITTEN, NOV. 1805. · Note 1ADDRESS TO THE YOUNG ROSCIUS.[183] · Note 1A FAVOURITE CATS DYING SOLILOQUY, ADDRESSED TO MRS PATTON OF LICHFIELD. · Note 1INSCRIBED ON THE BLANK LEAVES OF THE POEM MADOC. · Note 1INSCRIBED ON THE BLANK LEAVES OF THE POEM MADOC. · Note 2TO F. N. C. MUNDY, Esq. ON HIS POEM, THE FALL OF NEEDWOOD FOREST. · Note 1TO F. N. C. MUNDY, Esq. ON HIS POEM, THE FALL OF NEEDWOOD FOREST. · Note 2TO REMEMBRANCE. · Note 1