Note 325 — ON A BOOK CALLED UNITARIAN THEOLOGY[321]

The first trace I can find of this poem is in the initial number of Matthew Carey's American Museum, Jan. 1, 1787, where it is placed among the selected poetry and assigned to P. Freneau. This testimony of Carey's as to its genuineness carries with it considerable weight. Knapp, who in 1829 reviewed the poem as Freneau's, doubtless had before him a copy of the Museum. The poem, however, is not included in any of the poet's collections and I can find no earlier newspaper appearance, although my search has not been exhaustive. The authenticity of a poem suspected to be Freneau's may always be gravely doubted if it is not found to be included in his collected works, for he hoarded his poetic product, especially in his earlier period, with miserly care.

The poem appeared in 1806 among the poems of Mrs. John Hunter with the title "The Death Song, written for and adapted to, an original Indian air." Several of Mrs. Hunter's best poems had been long in circulation before she was induced to collect them. In 1822 Maria Edgeworth introduced the poem into her book "Rosamond," ascribing it to her. She added the following note: "The idea of this ballad was suggested several years ago by hearing a gentleman who resided many years among the tribe called the Cherokees, sing a wild air, which he assured me was customary for these people to chant with a barbarous jargon implying contempt for their enemies in the moments of torture and death. I have endeavored to give something of the characteristic spirit and sentiment of those brave savages."