Note (return) — Alfred to Cœur de Lion.
Reading edition
Here, in the historical account of Norman character, I must unwillingly stop for to-day—because, as you choose to spend your University money in building ball-rooms instead of lecture-rooms, I dare not keep you much longer in this black hole, with its nineteenth century ventilation. I try your patience—and tax your breath—only for a few minutes more in drawing the necessary corollaries respecting Norman art.21